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Sanglap: Journal of Literary and Cultural Inquiry (ISSN: 2349-8064)
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  3. Vol. 4 No. 1 (2017): Why World Literature?

Vol. 4 No. 1 (2017): Why World Literature?

					View Vol. 4 No. 1 (2017): Why World Literature?
Published: 2021-11-02

Articles

  • Why World Literature?: Introductory Dialogues

    Sourit Bhattacharya , Arka Chattopadhyay
    1-8
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  • Hong Kong as a Test Case for World Literature

    Michael Tsang
    9-23
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  • What are You Trying to Say?: World Literature and the Frustration of Translation

    Josh McMahon
    24-30
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  • Words in a world of scaling-up: Epistemic normativity and text as data

    Sayan Bhattacharyya
    31-42
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  • World Literature: From the Politics to a Poetics

    Thirthankar Chakraborty
    43-54
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  • What Cities Enclose: A Geoliterary Approach to World Literature

    Mitzi E Martínez Guerrero
    55-68
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  • Samuel Beckett’s ‘The Way’ and Stirrings Still: Analysing the Self from ‘Schopenhauerian Buddhist’ Perspective

    Pavneet Kaur
    69-79
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  • Transcendence through Illumination: Marginalized Identity Re-valued as Art and Literature

    Karly Berezowsky
    80-92
    • HTML
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Sanglap

Announcements

CFP for Sanglap 11.2 on Politics of Waterscapes

April 3, 2024

CFP for Sanglap 11.2

We draw from this use of the term and want to explore how water has been commodified or enclosed for profit as a resource, generating complex power dynamics. Issues of access in terms of caste, race, or gender related discrimination have also mobilised conversations around pitching water at the centre of discussions for community and economy. In many cases, these thinkers have gone to literature to support their arguments, as literary scholars have argued for water’s significance for community building and historical documentation. Water’s agentic power has also made recent incursions into critical studies where questions of fluidity and power have led to the emergence of the subfield, ‘blue humanities’.

It is this framework of understanding water as a source of energy, resource, commodity, as well as philosophy, politics, and culture that we wish to explore in this issue through studies of how water is represented in literature and culture. Recent and burgeoning work on hydropolitics, riparian fiction, liquid modernity allows to think where we stand with the question of water in literature as we enter the second quarter of the 21st century.

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